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WHAT IS THE RADICAL CHOICE?

CAN YOU INVENT AN EVENT?

WHAT IS SO NON ABOUT NONFICTION?

Can you outsource the function of meaning?

What is the value of experience?

Do I want to reassure or destabilize the reader?

Should I be a detached observer or a performer?

Must my persona be likeable?

Am I challenging received ideas?

How far can you push a contradiction?

Who says?

Is the fix in when it comes to meaning?

What would it mean to mash up the empirical with the irrational mind?

What can you exaggerate?

What can you subordinate?

What do you reject?

What new effects can we discover?

How is reality supposed to appear?

How does the obstacle become the solution?

How is narrative like a controlled crash?

Is perception character?

Am I allowed to be wrong in nonfiction?

What is the function of rhetoric in nonfiction?

If my story is a game, what are the rules?

Can I swap out the hermeneutical lens?

Can you objectively observe the subjective?

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